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Dramas” and “dramatics” redirect here. 472 BC, he had been writing plays for more than 25 years. From the beginning of the empire, however, interest in full-length drama declined in favour of a broader variety of theatrical entertainments. No plays from either writer have survived.
Greek originals, was sometimes denounced, but his double-plots enabled a sophisticated presentation of contrasting human behaviour. Her plays are the first known to be composed by a female dramatist and the first identifiable Western drama of the post-Classical era. Characters were often used to represent different ethical ideals. Good Deeds, Knowledge and Strength, and this characterisation reinforces the conflict between good and evil for the audience.
Resulting differences of tone in a single play were appreciated rather than frowned on, as the audience prized “variety” within as well as between plays. 1680s is an important exception. In the mid-1690s, a brief second Restoration comedy renaissance arose, aimed at a wider audience. The comedies of the golden 1670s and 1690s peak times are significantly different from each other. The comic focus shifts from young lovers outwitting the older generation to the vicissitudes of marital relations. The tolerance for Restoration comedy even in its modified form was running out by the end of the 17th century, as public opinion turned to respectability and seriousness even faster than the playwrights did. Congreve’s first comedy for five years, the audience showed only moderate enthusiasm for that subtle and almost melancholy work.
10th and 11th centuries, theatre was discouraged or forbidden entirely. Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to the 19th centuries. 19th century until the mid-20th. The wealth of archeological evidence from earlier periods offers no indication of the existence of a tradition of theatre. Actors may have specialised in a particular type. It was patronized by the kings as well as village assemblies. Rabindranath Tagore was a pioneering modern playwright who wrote plays noted for their exploration and questioning of nationalism, identity, spiritualism and material greed.
Girish Karnad is a noted playwright, who has written a number of plays that use history and mythology, to critique and problematize ideas and ideals that are of contemporary relevance. Naga-Mandala are significant contributions to Indian drama. Indian playwrights of the 20th century. Mohan Rakesh in Hindi and Danish Iqbal in Urdu are considered architects of new age Drama. Mohan Rakesh’s Aadhe Adhoore and Danish Iqbal’s ‘Dara Shikoh’ are considered modern classics.
Statements consisting only of original research should be removed. Agha Hashr Kashmiri is the culmination of this tradition. Urdu Dramatic tradition has been a spectator’s delight since 100 years and counting. Drama as a theme is made up of several elements. It focuses on life and different aspects of it. The thing to be noticed here is that drama on stage imitates drama in life. It has been said that there has always been a mutual relationship between theatre and real life.